Muñekas
by Belén Catalán and Catherine De Sa Quintaes
Sisterhood is a complex, fragile, and luminous bond, one of the most powerful connections two women can share. It is an act of care: we watch over one another, we recognize each other’s value, our labour, our brilliance, and the exhaustion we carry while moving through a patriarchal world. In the arts, women are too often overlooked and pushed to the margins; within Latin American cultures, this erasure can feel even more pronounced.
This project seeks to counter that disappearance. The photoshoot becomes a visual testament to the communities we build and the support we offer one another, an effort to maintain not just our artistic practices, but our presence, our visibility, and our voice. “Muñekas” is a reflection of our resilience, our tenderness, and the unspoken bonds that hold us together.
“Chismear” (gossip) emerges here as a practice of passing stories between generations of women, a subtle rebellion within patriarchal structures, grounded in gestures and shared practices that anchor relationships. Through the symbolic role of dolls (muñecas), folkloric objects, and childhood relics, the project reflects the feminine power embedded within Latin American culture.
Creative Direction @omni.cathy & @belescx
Photographer: @bellescx
Stylist: @omni.cathy
Models: @omni.cathy & @naranjaaass
Hair @sasukistudiohair
Mua: @giupichirallo
ABOUT THE CREATOR
Belén Catalán is a Costa Rican-Canadian interdisciplinary artist based in Montréal, Québec. She holds a Bachelor of Fine Arts in Photography from Concordia University. Her practice bridges photography, video, real-time graphics, and creative direction, engaging themes of identity, memory, and the dialogue between digital and physical environments. Her work has been exhibited at FOFA Gallery, VAV Gallery, Art Matters Festival, and Lignes de Fuite, where she has also contributed as curator and creative director.
Website: belenscatalan.wixsite.com
Instagram: @bellescx
Catherine De Sa Quintaes is a self-taught fashion stylist and art director who walks the line between soft and sexy. Her projects emulate the dream of a girl who hasn’t quite come into herself yet. The owning of a sexuality she doesn’t quite understand. She’s built sets and styled artists for music videos and photo shoots alike and wants to continue to expand her reach as she goes forward.
Instagram: @omni.cathy
by Greg Santos
Welcome to our first issue of 2026, friends. Here in Montreal, winter still has a firm hold, though the groundhog has reportedly seen its shadow.
Comic by Charlie Chen
'Charlie' Pinhui Chen is a visual artist from China, currently based in Germany. Since 2021, she's been working in film as a set designer and illustrator.
Comic by Jake Kennedy
Jake Kennedy is the author of three full-length collections of poetry and also the author of several chapbooks.
Creative nonfiction by Tanya Bellehumeur-Allatt
I was twelve when we came home from Beirut to Canada. My dad sat in the front of the taxi at the Montreal airport, while I squeezed into the backseat between Maman and my fourteen-year-old brother, Etienne.
Creative nonfiction by Grace Schwenk
A great lookout once told me that September is the best month at the tower. I’ve spent the last week trying to understand why.
Creative nonfiction by Emira Tufo
Year after year, you live the last few weeks leading up to the annual pilgrimage to your hometown as if they were your last. The dread and the hunger kick in at twenty-one days before departure; once your remaining time falls short of a month, death feels very near.
Creative nonfiction by Kirby Michael Wright
Jetty was our palomino quarter horse, the daughter of Ol’ Sissy and a mystery stallion who’d mounted her between lines of wire in the fence line.
Fiction by E.M. Foley
Ryan suggested therapy when I almost burned his cottage down. Not on purpose, although I didn’t do anything to stop it. I was trying to light the grill in the backyard when the flames suddenly shot up from the back.
Fiction by Elizabeth Jacyshyn-Owen
It begins, as such things often do, not with a declaration but with a sound file. A voice, timestamped, pressed like wildflowers into the coffin of an .m4a delivered at 3:12am local time, which is to say: inconvenient.
Fiction by Yasmina Jaksic
Tomorrow was her birthday and, as every other child did, she would bring in birthday treats. Normally her mother made her stay home on her birthday if it fell on a weekday.
Fiction by Silas James
i keep calling 311 about these dead squirrels in the bike lane, i keep calling 311 about these dead squirrels in the bike lane, i keep calling 311 because there are dead squirrels in the bike lane and i am starting to think it’s only me who can see them
Fiction by Ersun Augustinus Kayra
The bell on the dépanneur door isn’t a bell—just a thin metal strip screwed to the frame, flexing when the door opens and making a high, stubborn sound.
by Belén Catalán, stylized by Catherine De Sa Quintaes
Through interdisciplinary work spanning photography, video, real-time graphics, and creative direction, I create immersive environments rooted in personal experience and introspective reflection.
Photography by Clara Emery
The photographs included in Observations of the Waters tell a tale of the ocean and of belief.
Photography by Pinaki Nath
Urban expansion is a major driver of global climate change and warming. In South Asia, metropolitan cities are rapidly growing, swallowing nearby suburban areas and creating a sense of sameness despite cultural, geographic, and demographic differences.
Photography by Avery Nielsen Webb
Untitled Data Centers examines the hidden industrialization of the American landscape through digital infrastructure.
Poetry by Constantina Gicopoulos
Constantina,
I’ll keep this
Poetry by Amber McMillan
Persephone is a celestial body
in dual orbit with Earth and the underworld,
Poetry by Cassandra Myers
(Z) my rubber bands untwirl, aluminum foil
over the butter vortex of silicone heat
what once was a taught plank of silver
balloons - my heating pad a stovetop
Poetry by Jane Shi
“There are photographs
Of small children laughing in black
and white that people stop and cry at
in museums but ignore in homes.”
Poetry by Misha Solomon
There are things that are real
and things that are not.
There's a choice that I make
and a choice that I don't.
Poetry by Phoebe Wang
Lying prone, under a sheet stretched
like a sigh across my spine, I don’t notice
the aching until it’s gone, my RMT finding
Translation by Mélissa Bull from Françoise Major
February night, minus twenty-eight degrees Celsius—they said on the radio minus thirty-seven with the wind chill.
Translation by Katia Grubisic from David Clerson
On the first day, my son confided that he felt like his brain was rotting. When he ran his hand through his hair it came out by the fistful.
Cover art by Angie Quick
The oil painting “The actress (study)” is a work that explores the performance of sexuality. The painting borrows from imagery of the stage and asks the viewer what production are they witnessing.