Editor’s Note

by Greg Santos

This fall, carte blanche put out a call inviting creators to mull over the word “soft” as a theme for our final issue of 2023. After a challenging number of years building our collective resilience during a global pandemic, I was interested in having our editorial team consider works that touch on the soft, slow, open, and gentle.

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Coyote

by Adam Alokby

Reed’s my twin, but I never felt like we were that connected or anything. Not in that special way people ask us about. To be honest, I think it’s all a big joke, feeling your twin’s pain and all that. It doesn’t make sense.

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Olives and Apple Blossoms

by Emily Cann

Sally has said on numerous occasions, It’s me, it’s me, it has to be me. At book club we surround her, we smother her to say it’s not you. Of course it’s not you. It is men. It has to be men. She says yes, yes it’s the men. I pick the wrong men. Someone inevitably says, They’re all the wrong men. Sometimes it is even me that says that.

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Your Best Friend

by Bronwyn Garden-Smith

An ice storm knocked the power out in your city on Valentine’s Day. The next day, the temperature rose obscenely, causing the ice that had coated the trees to melt, making the water drip drip drip drip on your coat insistently like an anxious tic. Then your power came back; you charged your phone, boiled water for tea.

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Deer-Shaped

by Adam Haiun

Everywhere there are holes and bad fathers. Last year a woman stepped into her pantry and fell into the canopy of a pine forest. Just a few weeks ago a garden shed opened to the sea and a new kind of squid spilled out onto the lawn. Each room is an opportunity for a hole and each father is an opportunity for a bad father.

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Positions

by Edmario Lesi

Two girls watch a YouTube video of the accident that removed me from Never Never—a reality TV show wherein teenagers are stranded in a remote part of northwest Queensland. The girls sit against a bookshelf, and the smaller of them rests a laptop on her overturned school bag.

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Rainy Evening

by Gabriela De Paz

My photography is typically inspired by the details of my daily environment. This series specifically was an attempt to capture the magical childhood nostalgia I felt one rainy evening while looking at—rather than out—my window. I wanted to capture the layers between the self, the home, and the outside world, as they weave together to produce the essence of who and what we are.

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slow still life

by Savannah Dodd

Through a slow and embodied creative process, I have sought emancipation from the “colonisation of the self by capitalist ideas of productivity and efficiency” (Odell, 2019: 14). Fanned by the gig economy and entrepreneurial culture in which creative people must necessarily participate, it is this drive toward productivity upon which capitalism relies. In this way, my work is not only personal, but political.

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Clouds

by Ying Zhao

Ying Zhao is a writer and photographer currently interning at the United Nations Environment Programme. Landscape and nature hold significant roles in her photography. Her work has been featured in publications such as the Upper Mississippi Harvest Literary and Arts Journal, the Santa Clara Review, and the Salmon Creek Journal.

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