by Gabriela De Paz
My photography is typically inspired by the details of my daily environment. This series specifically was an attempt to capture the magical childhood nostalgia I felt one rainy evening while looking at—rather than out—my window. I wanted to capture the layers between the self, the home, and the outside world, as they weave together to produce the essence of who and what we are.
Read Moreby Savannah Dodd
Through a slow and embodied creative process, I have sought emancipation from the “colonisation of the self by capitalist ideas of productivity and efficiency” (Odell, 2019: 14). Fanned by the gig economy and entrepreneurial culture in which creative people must necessarily participate, it is this drive toward productivity upon which capitalism relies. In this way, my work is not only personal, but political.
Read Moreby Esther Mathieu
In the course of a week, a day, an hour in Montana’s Centennial Valley, the sky and air and landscape change so many times it is impossible to chart the soft gradations. Life becomes a series of in-between spaces.
Read Moreby Ying Zhao
Ying Zhao is a writer and photographer currently interning at the United Nations Environment Programme. Landscape and nature hold significant roles in her photography. Her work has been featured in publications such as the Upper Mississippi Harvest Literary and Arts Journal, the Santa Clara Review, and the Salmon Creek Journal.
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