Broken Windows Theory
by Tolu Oloruntoba
From the entropic raft of my body
I surmise the heat death of the universe.
It was cruel, or a mercy, to make us aware
of the bell curve of our lives tolling.
But we needed death, or we’d be bottomless
stomachs, gorging Gehennas of gas-
tric acid. In evolutionary time, where everything
wants to be crab, we turn into cancers.
Boudoir sprawls of lab frogs presented
the seedlings of our mitotic wishes. We needed
to understand, to wring the blood of ferrets
for vaccines. Wrung, wrong, rung. We climbed
canyons of sacrificed mice and gerbils to get here.
We had, ghoulish, predestined their sacrifice.
Descendant compatriots of Skinner rats avenge
their kin now, throwing plague over siege walls.
Warts are the armor of the biome within, fighting
consequence. Heart disease is the revenge of birds,
for eggs. Alopecia is the traction city tearing back,
up frontal slopes, sebum escaping sub-skin volcanoes.
In the movie glaucoma, where optic electronics are damaged
by aqueous flood, edges of the picture smudge
into absence. In vain do diuretics bail waiter from the sinking
body. In vain do bucket crustaceans execute
their pincer movements against a gravity they cannot flee
fast enough. But if I do not sleep, terrors of the night
cannot carry me, squirming, away. Let me, thus, fight death.
Then let the crashed automobile of my body burn.
I will not need the wood panelling of a grave plot
just yet. I will be awake to meet daylight
savings at the gate. I will watch that hour
slip through the grate from the grasp of the sleeping,
I will follow where it goes: to the sewers that the pipes
of our micro-chasms empty into: a river of time.
I, voyeur, will pay doubly for this sin: to have found
the codex in an inverted world at the delta; the volumes
of the city, the book-spine panes; the sagging shacks;
the worn jerkins lost titles wear; the friable pages waiting;
the porpoiseful dark in the echo of waves beyond;
the swallow flocks as divers the ground regurgitated.
Pay for having seen the marble burden of karyatides,
the carina they made with their parting,
the milk-in-coffee cosmos they flanked;
the corporeal form as helical balloon animal
and having returned to tell you: we are messengers
of the genealogic telephone game.
Can you hear now; forgive, forge now,
forage yourself now?
If you sense like I, the expiring warranty
of our connective tissue;
your long tail of commerce,
your vestigial coccyx;
the enamel picket before the welcome
throat buckling, cavitated by termites;
tattoo sleeves of skin tags
mapping decline,
then why save the house?
Or why not save the house?
And will you ask whose wall
we are the biological clocks upon?
ABOUT THE CREATOR
Tolu Oloruntoba won the Governor General’s Literary Award for English Language Poetry and the Canadian Griffin Poetry Prize for his debut collection, The Junta of Happenstance. He is the author of two other poetry collections, Each One a Furnace and Unravel. After an early career as a primary care physician, he currently works as a project manager. He lives in Calgary.
Website: www.tolu.ca
by Greg Santos
It’s that in-between season again—when leaves rustle underfoot, pumpkins start appearing on stoops, and change is visible everywhere you look. The days grow shorter, the nights stretch longer, and the world feels charged with the possibility of transformation — fittingly, the theme of this issue.
Creative non-fiction by Lauren Barbato
Wear your best Forever 21 dress, the one the feminist housewife from Beverly Hills called posh, to the office every Thursday
Creative non-fiction by Raena Shirali
I don’t remember the first lie I told, the same way I don’t have a first memory—no first impression of my surroundings vignetted, no rose-tinted arrival at consciousness.
Comic by Annabelle Olendzki
Annabelle Olendzki, less formally known as “Moowsie” online, is a queer comic artist based in Western Massachusetts.
Comic by stef lenk
stef lenk is an illustrator and writer whose work has appeared in Brick Literary Journal, This Magazine, Rue Morgue magazine and Broken Pencil magazine amongst others.
Fiction by Anne Baldo
“Every good girl has daddy issues,” Maddie says, gulping from a two-litre jug of No Name cranberry juice because she has a terrible urinary tract infection.
Fiction by Anthony Portulese
Nothing exhilarates me more than the friction of hairy legs in high-heeled boots.
Fiction by Becky Petterson
Sally brought a seashell for her first show and tell. It was small and curved towards itself like a cupped hand.
Fiction by Leah Mosier-Farquharson
Allen told her that accidents didn’t exist, that everything happened for a reason and any mistake was at least subconsciously accounted for.
Fiction by Natalie Kishchuk
Trulie felt the bracelet break, its relinquishment, pale pink beads dropping from her wrist onto the flannels she had piled as a pillow, pooling into the hollow made by the weight of her head.
Photography by Ben Erlandson
David Orr explains, ‘Bioregionalism’ is the name given to our attempts to integrate the ecological potential of an ecosystem into our institutions.
Photography by Emem Etti
This photo series meditates on the devouring nature of love, lust, and yearning. As intimacy deepens between oneself and another, The Self, as a fixed whole, dissolves.
Photography by Gage Michael Wheatley
These images were taken over a summer spent walking through the places where people used to be, or where they only barely remain.
Poetry by Aris Keshav
It feels good to get things done. In four hours of
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Poetry by Foster Gareau
The time is
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Poetry by Grace Lau
Phagocytosis (n): from the Ancient Greek φαγεῖν (phagein) 'to eat’ and κύτος (kytos) 'cell.’
Poetry by Jaspreet Singh
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Poetry by M.C. Jia
You know what, I’m tired of fighting
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Poetry by Tolu Oloruntoba
From the entropic raft of my body
I surmise the heat death of the universe.
Translation by Dawson Ford Campbell
I am a sieve. A medium-sized strainer picked up at Renaissance, with a weave that’s tighter in places, a rim that’s lightly rusted.
Translation by Sunny Doyle
Martha died on September 1st, 1914, at the Cincinnati Zoo. She was 29 years old, the last of her species: the passenger pigeon, Ectopistes migratorius.
by Aderes Z.
Roslyn and Max Margles Young Writers’ Contest
First Place - Grades 5 & 6
Jjjjjjjjj! Tik tik tik! Ding! And into the fridge I went. I bet you’re wondering why I’m in the fridge. That’s an easy question to answer. I’m a cupcake, well more like a muffin right now, I don’t have my frosting on yet.
by Anastasia Maria I.
Roslyn and Max Margles Young Writers’ Contest
Second Place - Grades 5 & 6
Le soleil brillait haut dans le ciel et aucun nuage ne risquait de cacher son beau visage d’or. C’était vers midi quand une colonie de fourmis marchait en chantant dans le bois.
by Naveen Dosaj
Roslyn and Max Margles Young Writers’ Contest
Honourable Mention - Grades 5 & 6
June 6th, 2022, Rouyn-Noranda, 6:45pm. Gold medal game of the Quebec Little League provincial baseball tournament. Our hero steps up at-bat with nobody on base, with no outs and a tied match.
by Nona Morakabaty
Roslyn and Max Margles Young Writers’ Contest
Honourable Mention - Grades 5 & 6
Natation avec nations attends son attention actuel sincérement actuellement sensation avec sentiment mélé dans l’obscurité de l’obscure dans le sanglot de mon couer
by Matti Gonzalez-Idan
Roslyn and Max Margles Young Writers’ Contest
First Place - Grades 3 & 4
Le forêt s’endort… mais pas ses prédateurs. Parmi eux, un loup pas comme les autres. Un loup-garou détective.
by Sarah Israel and Adèle Menache
Roslyn and Max Margles Young Writers Contest
Second place - Grades 3 & 4
Il était une fois, trois jeunes filles, une nommée Camille, une nommée Emma, et une nommée Zoé.
by Cordelia Carrier-Sydor
Roslyn and Max Margles Young Writers Contest
Honourable Mention - Grades 3 & 4
It was a beautiful, summer day in Space Serpent Town. The sun was shining and the streets were busy.
Cover art by Melody Pineda, featuring photography by Savannah Dodd, Mia Huang, Esther Mathieu, and David Swartz
Mixed media is a means to express my relationship to identity, otherness and marginalization. Through collecting and interlocking images, weaving becomes a tool and symbol for intersecting realities.