In Absence Of
by Sophie Hoss
And this is what it is:
A hand up my shirt in the quickening violet,
a caul of dusk holding galaxies of night.
It isn’t honest, but it’s all I have.
And yet:
Staring down the barrel of the afterwards,
faceless bodies swap bones like their silhouettes have names.
I walk past the old noose just to hear its whistle
flirting in the wind.
And still:
This is what I asked for.
And now:
My thumb is on the pulse of the hummingbird’s throat.
I think of the rabbit heart I share
with my mother
and the wet hiccup of the stethoscope,
our love and its murmurs.
And all the same:
Lightning strikes thrice, but all I remember is the thunder.
Snow is what I wish for now,
and it falls in rivers from the winter mountains.
And anyway:
I didn’t close my eyes,
but the drop surprised me just the same.
And even so:
I dreamt last night that I bore a daughter in a tub of water
while a storm battered the roof
and the thrashing trees wailed their branches against the windows.
I named my daughter Rain. When I woke,
I could not recall even her face,
but in that deepest, oldest realm, I would have offered up
my heart as her whetting stone
and my throat as her knife.
And again:
I will not create something I cannot keep
or love something I wish I could hate.
Every time I change my mind,
the rain turns to snow
and back again.
And again ::
Again :
And
again :
I want to be alone,
but not like this.
Again:::
I want to be alone,
but
again:
The place where it hurts is here.
And again:
The cysts in the sonogram blink empty eyes
like universes of unbeholding
and I pop each one between my thumb
and forefinger.
Again:
Life is so rarely what we ask of it
but
I did not want it to be like this.
Again : I
do not want it
to be like
this.
ABOUT THE CREATOR
Sophie Hoss loves the ocean and is in bed by 9pm every night. She is currently pursuing an MFA in Creative Writing and Literature from Stony Brook University, and her fiction and poetry have appeared in BOMB, The Baffler, The LA Review, Identity Theory, and elsewhere. She reads for Fractured Lit and is a contributing editor for The Southampton Review. Her work has been nominated for the Pushcart Prize, and her mini-chapbook Little Divinities—forthcoming publication with New American Press—was the runner-up for the 2023 MAYDAY Poetry Prize. You can read more of her work at sophiehosswriting.com.
by Greg Santos
For our first issue of 2024, the carte blanche team and I are proud to present twenty-four creative works of fiction, comics, photography, poetry, translation, and creative nonfiction which make up our outstanding open-themed issue 48!
by Jordan Penland
Jordan Penland is a 27-year-old, half-Black, half-Ecuadorian artist/cartoonist from Los Angeles, CA. He predominantly works with watercolor markers and gel pens on paper to create brightly colored drawings with a strong doodle aesthetic.
by Jessie Carson
First, finish watching Mister Ed on TV at your sister Pearl’s house. Give her a hug before you leave and walk the short distance home. Pass the man who would soon murder your family as he passes you in your yard.
by Samuel Freeman
On a cold, rainy, April morning, Catherine called to tell me our baby was coming. Her gynecologist was sending her straight from the clinic to the hospital. The baby—our first—had stopped growing and needed to come out, even though her due date was a month away.
by Robin Gow
We are the earring collectors. We are goblins. We are hungry. We are queer. Our most recent pair are stained glass windows. A wooden frame with thin colorful glass on the back.
by Katherine Li
Take, for example, my family. We are a closed system. The sum of our energy remains constant, even when it takes on different forms: over time, rage turns into bitterness; happiness dulls to a slim sense of satisfaction.
by Jonathan Bessette
Steven trips through the front door at 5 a.m. with Kim in tow. He swears the Blundstones on top of the other piled shoes had grabbed him. Carla slinks into the hallway wearing the silk red pyjamas he bought her in Singapore—he promised not to make noise when he got back.
by Megan Callahan
When she wakes on Tuesday morning to the prickle of smoke in her nose, Janie’s first muggy thought is that her father has come home, miraculously—has simply walked in the door like he never left. Her second is that her mother has picked up smoking again.
by Michaela Di Cesare
Nothing feels better than someone else’s mother saying she’s proud of me. I instantly regress to a blissful embryonic state, suspended in warm amniotic admiration.
by Elliott Gish
Ella wants to have a baby. She tells Maddi this while they are both drunk, crushed together in the throes of awkward and slightly unsatisfying sex.
by Miriam Richer
In August I feel dark and stretched and translucent, like a shadow inching across a bedroom floor. I’m living out of a suitcase in a sublet I found on Craigslist: a two-bedroom apartment swirling with Keith Haring squiggles and earth-toned arabesques.
by Eleni Zaptses
When Baba asked me to come to her annual eye exam, I should have been suspicious. My mama and Teta Maria typically handled all health matters concerning Baba. I wasn’t the first, third, or even seventh person who was called for help.
by Mischa Jakupcak
Raised in a log cabin on a goat farm in Montana, Mischa Jakupcak is a writer, photographer and filmmaker. With a BA in Creative Writing from University of Arizona and an MA in Filmmaking from London Film School,
by Grace Wang
It was one of those perfect summer days. A beautiful home-cooked meal on the patio overlooking the river with produce freshly picked that morning. The next day, in the sunshine, we walked down the stairs from the backyard into the river, and just played.
by Amanda Yskamp
Amanda Yskamp is a writer and a collagist. Her artwork has appeared in such magazines as Black Rabbit, Riddled with Arrows, and Stoneboat.
by grace (ge) gilbert
If the villain is absence, I write over and over again, then all we see are reactions to it. / Villain once meant peasant, low-born. / It’s easy to mislay the villain if the villain is negative space.
by Sophie Hoss
And this is what it is: / A hand up my shirt in the quickening violet, / a caul of dusk holding galaxies of night. / It isn’t honest, but it’s all I have.
by Dani Janae
I have yet to meet a snake in South Carolina. / My brother tells me a story of his front yard, / a hole in the ground. His neighbor charges
by Dana Murphy
We met on opposite sides of a door— / swift as a kiss of steel splits fresh wood / our smiles unbridled a careful follow me, / returning our fingers to their pastmost forms:
by Erin Robinsong
The ocean is as close as the cunt / you come from & now it’s like we // never met, some irrelevance far / from our star, the metropole
by Julie Triganne
I was cast as the dove in a church recital: / “I am the dove of Christ.” Five years old, / I held a paper-plate bird. If the dove means salvation, / reconsider salvation. Pluck feathers from the gravy.
by Stephanie Yorke
the little debit / machine says ma-ma-ma / to get the satellite’s attention / by now she’s impervious / so he uses her first name
by Diana Halfpenny, translated from Suzanne Jacob
The alarm has only just sounded, and already the three women have started to run. Are they running towards or away from something? When I first saw them in June 2014, I assumed they must be running away
by Dominique Russell, translated from Hector de Saint-Denys Garneau
It’s not about pulling things by the hair / Tying a woman’s hair to a pony’s tail / Piling up the dead in a line / On the edge of a sword, on the edge of time.
by Audrey Larson
Audrey Larson is an artist and writer who lives in Bellingham, WA, USA. They are known for their love of dreary beaches, public libraries, and old bicycles.