Editor's Note

by Greg Santos

As I write this editorial for our second issue of 2024, we are in a period of transition in Montréal. While it’s no longer summer, it’s also not quite officially fall. Mid-September is that whimsical time of the year when pumpkin spice everything is upon us and kitschy Halloween decorations are starting to pop up around our neighbourhoods. With this playful spirit in mind, the carte blanche team and I are thrilled to present the twenty-four “Play” themed fiction, poetry, comics, photography, translation, and creative nonfiction pieces which make up issue 49.

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Parlour Games

by Sarah Giragosian

Before the infamous “shower scene” in Alfred Hitchcock’s horror film Psycho, there’s target practice in the parlour, a sequence that at once grips and baffles me. Why does Marion Crane stay? There are too many red flags: Norman’s rictus of a smile, the sad stitching of the taxidermied raptors, his—cough, cough—hobby of “stuffing things.”

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Camp Gratitude

by Kaye Miller

i remember July before the wildfires, when we nestled on the porch beneath clothesline, the dripping of dishrags, and tucked ourselves small between grill and propane tank, waiting for that first tin-roof chime of rain. our team of fifteen, before the campers came, our anticipation, o’ sweet pinewood porch, watching the cap of clouds on the horizon. a ghostly pillar of cumulonimbus, slow gliding into camp.

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Cemetery Wedding

by Mia Dalia

Of all the many nuisances the Laurel Hill Cemetery’s ghouls have had to cope with over the years—and there had been many, from population booms and busts and the industrial revolution to gentrification, community tree planting projects, vandals, loud mourners, goths, Halloween junkies, junkies in general, etc., etc.—nothing irked them quite as much as hipsters.

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Work and Play

by Cora Lewis

The first summer after college, I worked as a hostess in a restaurant. The place was open to the street at night, and—as with every place open to the street—rats would run in from trash-laden sidewalks, darting towards the kitchen with its smells.

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Jared Dean

by Matthew Wood

Jared Dean was completely fucked. It was way past curfew, and he was high out of his mind. He was more stoned than he’d ever been in his life. Every time he looked up at a streetlight, or a car drove by, there were smeary trails behind them, and he could not stop giggling. He was alone.

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Creve Coeur

by Ann Zhang

There were no couples in Lottie’s Bridal, only my sister and I and, on the opposite side of the rack, a group of teenage girls petting a flowery tulle dress. A blonde girl who laughed louder than her friends snatched the hanger and held it against her neck.

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Stills of Play

by Emma Vitallo

In "Stills of Play," I photographed a dollhouse constructed by my grandfather to create a rich, multi-layered experience that resonates with themes of memory, heritage, and self-discovery. The dollhouse creates a dynamic stage where toy horses and unicorns symbolize childhood memories and familial bonds.

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